The Romantic praise holds in its topics the ideals of the time period, concentrating on emotion, nature, and the twist of nothing. The Romantic era was one that focused on the park of humankind and, while using emotion and nature, the poets and their works run out light on peoples universal natures. In Charlotte Smiths Sonnet XII - indite on the Sea Shore, the vocaliser of the poem embodies two most-valuable aspects of Romantic work in relating his or her personal feelings and emotions and overly in having a focused and detailed natural setting. The speaker system takes his or her solitary seat near the shore of a stormy sea and reflects upon life and the wild gloomy scene that suits the mournful temper of his or her soul (ll.4, 7,8). While lots Romantic writing dealt with love and the struggles endured due to love, there was also emphasis placed on isolation, as seen in the emotions of Smiths speaker and also in the setting on the work. Nature, in some Romantic sonnets, is in direct parallel with the emotions being conveyed. Smith, for example, uses the piss to aid the readers comprehension of the speakers state of mind.
Included in this conventional natural setting is the use of the sea as stormy, deep, extensive, and moody which ties the speaker in with the setting as the scene applies to the noise of the poem as well. Also characteristic of the Romantic sonnet is the retreat from the neo-classical age and its significant historical references into a crude age where it becomes common to speak of nothing. In William Wordsworths Composed Upon Westminster Bridge, there is no deeper meaning to be grasped other than the beauty of the days dawning. The speakers view of the cockcrow and its majesty and the calm...
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