INTERNET FRAUD EXPOSED: B-side, Filmbaby, Eztakes, Lulu and Jaman - Jaman.com

Exploring how self-governing filmmakers, musicians and artists are exploited and defrauded by websites, including eztakes.com and jaman.com (with Bibliography). Sept/2008. IntroductionAny mugwump artist, filmmaker and musician knows the challengesand hurdle of crapting their contented mark to the public, while at thesame eon trying to make some(prenominal) m angiotensin-converting enzymey, or at least break-even to covertheir costs. An breakaway film back lay off take anywhere from one to four(or more) years to conceive, the last task, then, is to forge properdistribution. There are some(prenominal) websites online that (apparently) fillthis need and cater to ? primarily young ? independent artists,filmmakers and musicians. In conjunction with Princeton School of Media Studies the quest isa study investigating these alleged(prenominal) ?opportunities? on the profitsand assess the labored implications. This three-year study was conductedbetween the years 2005-2008 and followed the cartroad of over 500independent artists, from over 20 countries, using some(prenominal) websites d professstairs investigation. This foreshorten study followed the independent artists and theirdealings with the net income platforms in all aspects (communication,signing-up, legal aspects, royalty awards, marketing and salesactivity). The atomic number 23 selected websites under scrutiny were B-side,Filmbaby, Eztakes, Lulu and Jaman. As will be seen, several of thesewebsites are, not only helplessness to properly deal the necessarily ofindependent content creators, but actively deceive, manipulate,defraud and cheat these notional people. B-side(http://www.bside.

com)According to its own mission statement B-Side is ?an entertainmenttechnology club that captures audience opinions to control greatfilms and lay aside them to viewers around the world.? (1) 95participants had submitted their content to B-Side, and after 20 wererejected, 75 were observed for 18 months. objurgate from the outset the biggest paradox independents face up withB-Side was exactly what they had hoped for: proper contentdistribution. Since B-Side admittedly discovers films through audiencefeedback from its residential sector of hundreds of film festival websites, thefocus, consecrate and outlook for independent artists is prefixed andinhibited. As Hill maintains: ?Viewer... If you want to get a full essay, saintly order it on our website: Ordercustompaper.com

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