Analysis Notre-Dame de genus Paris: The significant theme of fate in Notre-Dame de Paris is strongly ennumerated in several ways: the world(a) passementerie back towards fatalism in plot and character (especially Frollo) and the motif of the disappear in the spider web, strongly smelling of fate, but moreso interpereted as the fly caught on a journey towards a light, or freedom. This video so skillfully displays in the truest Hugoesque trend this special(a) struggle of reality, desperately battling against the three strongest problems(as I think he discussed in the introduction to Les Travaillers de la Mer[The Toilers of the Sea]) which are fanaticism (namely of the church), misery placed upon human race by society, and the helplessness of man before nature. A nonher significant motif is that of stone and broken pavement. Quasimodo is oftentimes compared to his stone gargoyle companions and architectural terms are apply in his descriptions (spiral legs, and a dome on his back, also more relating him to the cathedral), and Frollo is shown as an animated statue. Upturned pavement and stone in general was a powerful symbol in Hugos headland for the attend to of change, and that grand efficy that change leaves behind. Hugo could not escape the root word of revolt, because the thieves storming Notre-Dame. And this brings us to a phenomenally important idea not only in Notre-Dame de Paris but all of Hugos works, regorge the more obscure ones; that is to say, the process, need, and result of change. Hugo felt a salient(ip) affinity for the marine, and, itself being a grand redeemer of change, would by chance illustrate my point most clearly. From its depths, life springs off; the ocean is mother to life on Earth, but contrastly its decline and flow, its cannonball along torrents and massive waves, its great salt spraying has an incredible destructive... If you insufficiency to get a full essay, br owse it on our website: OrderCustomPaper.com
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