Van Goph

Vincent caravan Goph An artists operate on changes e reallyplace beat and its often closely surround to the artists rid spirit For Vincent new wave Goph this is very true, his work changed dramatically everywhere the ten years that he was motion picture, from dogged, realistic drawings of shaver disembodied spirit in charcoal, to light coloringed work of close friends and cafes, to the frame up richly dis tinctful working in anele word- creates. As his animateness go from place to place, and his moods changed, so to did his work. In the Borinage, in Belgium, where he was fanatical about the Christian creed and the t to each oneings of the bible, he drew dark, rough drawings of the ruin and toil that the peasant life was. He was incredibly serious and fanatical at that time in his life. When he moved to Paris, and disc everyplaceed the paintings of other artists, and the glossy city, with all its colour and joy, his paintings became colourful, light hap py paintings, of friends, cafes, restaurants, no drawn-out the intense, depressing paintings that he recitationd to do. So his painting vogue changed dramatically over the years, as he moved around, and approach trials in life. When new wave Goph first started to draw and paint, he was animate in the south of Belgium, in the borinage. He was a preacher, and evangelist, a fanatical about the church, who took the teachings of the bible seriously and literally, and this enkindle the clerics, and fright the bulk who he was feating to help. avant-garde Goph was a very charitable man who love human kind, further he had the unfortuance of not beingness able to communicate well. So, he put outed to art, in which he could poor out his feelings, and file the hardship that the peasants faced.         In these first drawings that he did, he treasured to fork over the peasant life as it was, a hardship and distribute that the people faced every daytime, the co ntinual weary struggle day after day. So nat! urally, these drawings were do in inkiness charcoal and dark paints, very serious drawings which reflected the mood forefront Goph was in, he in addition empathised features of the peasant, the hands were often multicolor bent, knobbly, doddery crippled, the press out tale theatres of hard labour. The faces were often exaggerated to essay recessed cheeks, human being-weary look, almost deformed looking. Often though, he wouldnt show faces, as he wanted to try to show the psyche representing all of the peasants, not on a private level. caravan Goph was trying to create across the struggles that they faced. They reflected his depression at the life that the peasants went through, he was living everyday seeing the people struggle to make a living, in the mines, from dusk boulder frame dawn everyday, and the effects showed through in his paintings.         after deciding that his mission in life was art, Vincent left Belgium and went to Brussels, then t o his family home, where he proceeded to shake up his second disastrous encounter with women, a issue widow named Kee, who rejected him, after he pursue her frantically. This view make Vincent long for human warmth and love, which he craved, and he then fell in love with a defame name Sien, who also ended up rejecting him.          by and by these black incidents, Van Goph moved to Paris, where he discovered a world of literature, music, and art. More importantly, Japanese wood block prints, which influenced his work greatly. After being exposed to other artists, his work began to change, and in cardinal years had done a complete turn about. bygone was the dark depressing drawings, they were now colourful and light, they had a better-looking sense of wellbeing in them. Paris had changed Van Goph, the altogether atmosphere, activity, the people, even the weather, it was bursting with activity, warm weather, and gaiety now environ him. So he starting doing depictions of friend, in vivid colour.    !      Van Goph started to taste using wood block prints, dots of colour that made up the headed paintings of cafes, and restaurants. So Paris seemed to liberate him and harbor him the independence to try out with his work and the techniques he handlingd. He started to experiment with colour, and the moods and emotions that it invocated, his subjects also changed from peasants, to portraits, flowers, landscapes and still lifes.         Unfortunately Van Goph started to change affablely, he became down(p), suffering the rejection of other artists and people, he was a very depressed man. To try to save himself, he left Paris and went to arles. hither he pursed his belief in colour representing emotion and mood, and began to use colour as a representation of emotion. His best works came in this time, Sunflowers is one of them. The detail in this painting is incredible, the use of colour as well, the way he used yellow, a sign of life, friendship, warmth, cari ng , is all expressed through the detail and colour of this one painting. Van Goph became an expert colourist. In some other painting of this time, the harvest, he uses greens, violets, yellow, and blues, tranquil colours which compliment each other, and have a whole aura of well being and peace. He used short, starchy brush strokes of colour, which help to qualify and come up the difference in the colours.         Soon Vincents mental health began to overleap at an alarming speed, and his paintings reflected this. His paintings started to have rue about them, a loneliness, which was reflected by the depressing blues and greys that Van Gpoh was using in his paintings. One of these extremely sad paintings was the drinking straw fields with crows, a painting with a depressing, foreboding sky, painted in short, strong brush stokes, which added to the element of confusion and despair, which echoed Van Gophs state of mind, and his loneliness, the rejection he mat from the human race.         Van Gophs! buy the farm self portrait showed the sorrow and depression that he felt everyday. The painting was done incorporating the depressing and sad tones of blue, which was in the cover song ground in swirls and twists, echoing the befuddled state of his mind, the questions, his eyes wide and piercing, superfluous sunken cheeks and the blue suit he was wearing. The whole painting echoed his pain and loneliness. Van Goph was a very depressed man, and it showed at the end through his paintings. If you want to get a plenteous essay, order it on our website: OrderCustomPaper.com

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