Critically assess the relevance of Marxist theory to the study of Essay

Critically task the relevance of Marxist theory to the study of media texts - Essay ExampleMoore looks into the presidency of George W. chaparral and analyzes the future of the ground in the light of his policies and actions. Moore alleges that Bush family had long-term business relationship with the Saudi royalty and the family of bin Ladens. Bush and his inner circle avoided pursuing the Saudi connection to 9/11, despite the fact that 15 of the 19 hijackers were Saudis and Saudi money had allegedly funded Al Qaeda (Fahrenheit(postnominal) 9/11). Fahrenheit 9/11 shows how a nation is kept in constant fear by FBI alerts and ultimately lulled into accepting the USA patriot Act, that according to the shoot down infringes on basic civil rights further adding that it is in this atmosphere of confusion, suspicion and catch that the Bush Administration invades Iraq. Fahrenheit 9/11 shows clips of the war to highlight the US casualties and the human live to individual soldiers and th eir families thus invoking anti-state feelings within the armed forces.The core narrative of Fahrenheit 9/11 paraphrased from several(a) reviews on the film the Bush administration seize... ure the worlds second largest reservoir of oil-all on the dubious grounds that ibn Talal Hussein Hussein was behind Al Qaedas attack on World Trade Centre and his regime which feature weapons of mass destruction posed a serious threat to the security of the United States and its Western allies.Fahrenheit 9/11 has been one of the most controversial and provocative documentary films since 2004 when it was released in the United States and worldwide. It seems to hand borrowed the title and inspiration from Ray Bradburys fiction novel Fehrenheir 451 published in 1953. The thrust of the novel is towards spotlight the major concerns of the 1950s such as McCarthyite witch-hunt against communists , burning of books in Nazi Germany Soviet leader Stalins downsizing of writers and books and the horrify ing consequences of a nuclear weapon on the fictional town of Phoenix. Fahrenheit 451 belongs to George Orwells Big companion genre which is not exactly a Marxist comment on the society but a reflection of Western liberal thought. One may argue that Bush comes out in the film as the main protagonist, however, in its over all impact the film, wittingly or unwittingly, shuns narrative coordinate of story-telling that is the hallmark of the Hollywood style of film-making. Vertov and his colleagues believed both in the absolute ability of the cinema apparatus to chuck reality as it actually appears and in the necessity of editing to arrange this reality into an expressive and ingratiatory whole. This doctrine, called by Vertov kino-glaz (cinema-eye), contributed significantly to the montage aesthetics which came to dominate the Soviet cinema after 1924. (Cook, 1996 p.134) Fahrenheit 911 does not use a protagonist or a narrative and uses a format which is more associated with the