Intro Spanish Language Culture Essay

Every country has its famous people. People turn famous beca pulmonary tuberculosis of despotic or negative things that they do in their life. However, close people grow famous because of the contri preciselyion they make in their fields they engage in. in that location are those who gain fame because of their contribution in sports, medicine, politics, education and other fields. This w all in allpaper looks at Astor Pantaleon Piazzolla an Argentinean trip the light fantastic toe composer and bandoneon player born on March 11 1921 and died on July 4 1992. In his euphony careers he was able to revolutionalize traditionalistic tango music into new means of tango music cognize as Nuevo tango.This new style of tango music incorporated elements from classical music music and jazz music. He is reknown for his performance of his own compositions which hand dissimilar ensembles (Azzi, pg 3-5). Astor spent slightly of his childhood years with his family who lived in New York C ity. It is here where he was exposed to jazz music and music done by J. S Bach at his early age. He acquired a bidding of four languages while in New York City. He could speak in Spanish, English, French and Italian. While he was thirteen years old he met Carlos Gardel who was a great figure of tango music.He returned to genus Argentina in 1937 where traditional tango music was the order of the day. He performed in a number of night clubs with a number of groups including the famous orchestra of Anibal Troila, which at that fleck was the most famous bandoneon player and to a fault band leader in the country. It was in 1950 when he composed the sound track to the film Bolidos de acero. He entered his Buenos Aires symp0hony in a con show of composition where he won a grant from the government of France to take study in Paris. He left over(p) with his family for Paris in 1954. He credits his music careers from the support that he received from Nadia Boulanger.After introducing his new approach to tango music, he became a controversial figure both musically and politically in Argentina. virtually of the biggest resistance that he met in Argentina was the idea that everything else would change in Argentina, but Tango music would remain the same. Despite the resistance that he met him his own country his music got a locoweed of acceptance in Europe ands also in North America. Some of the liberal segments in the Argentinean society embraced his new style of tango music. They were mainly the people who were button political change in Argentina at that moment.During the time when Argentina was under military dictatorship, as from 1976 up to 1983 he lived in Italy although he would visit Argentina in many times to record his music (Piazzolla & Gonzalez pg 7-11). His musical style of nuevo tango was different from the traditional tango in some ways. This is because it incorporated elements of jazz, the style also used extended harmonies and dissonance. there was also the use of counterpoint and extended compositional forms. His fusion of tango with other recognizable western music element got a lot of success to the extent that it he produced a new style which transcended all these influences.It is this success and individuality in his compositions led to the particular influences that he make with his music. He used passacaglia technique of circulating bass line and openhearted sequence. He depicted sense of democracy and freedom among the musicians by the extemporisation that he did by borrowing from jazz in concept but practically involves a different vocabulary of scales and rhythms which maintained the parameter of the open tango sound world (World Saxophone Congress & North American Saxophone confederacy pg 35-37).When he composed Adios Nonino in 1959 he developed a standard structural pattern for his compositions. The compositions involved of a formal pattern of card-playing slow fast slow coda. The fast sections of the composit ions had emphasized gritty tango rhythms and angular melodic figures. The slower separate involved the use of string instruments or his own bandoneon which acted as melodious soloists. The piano was used as back bone of percussive rhythm. He used quintet of bandoneon which most people consider it to be the most successful instrument in all his works. This is because of the great efficiency in the sound produced.The sound produced covers and imitates most sections of a symphony orchestra. Despite the use of the quintet in most of his music and also the use of ABABC compositional structure he used other forms of music and combination of instruments. In 1965 he produced an album which contained composition done in which he collaborated with Jorge Luis Borges. In 1968 he wrote and make a production operita, Maria de Buenos Aires which included also of ensembles, for example, percussion, three vocalists, flute and a movement in Piazzolla own style of rhythms (JSTOR (Organization) pg 16- 18).By 1970s, he lived in Rome where he performed more mobile musical style which had more influence of jazz music. His music at this moment was also simpler and more continuous. In the 1980s he had become rich and famous person. He became an autonomous artist and wrote some of his most multi movements works. Some of the works he wrote include La Camorra, which was a rooms in three ten movements inspired by Neapolitan plague family. He made three albums in New York with second quintet.He described this to be his greatest thing that he ever did in his lifetime. He did away with quintet and formed a sextet which had an duplicate bandoneon, piano, electric guitar. He also wrote music for his ensemble which was more sporting in harmony and also in structures that all his previous work. He was able to respond to the growing popularity of non western music. He did this by finding ways in which he incorporated new styles into his own music (Groppa, pg 181-182). He had an open minded attitude to the styles which existed.This helped him be able to dedicate the mindset of an 18th century composing performer. He assimilated all the study flavors of his days in to his composition. He wrote his music with a sense of restrain social relationship and first hand performing experience. According to biographers it is estimated that Piazzolla wrote around three thousand pieces and recorded almost five hundred songs in his careers. In his music Piazzolla epitomized our situation in the world we are aliveness to day by fusing folkloric beauty and contemporary tension.His music challenged the traditionalist and made those who were adventurous asking for more of that kind of music. His music had message for the generations to come. His nuevo tango music attracted most popular and jazz musicians in many separate of the world (World Saxophone Congress & North American Saxophone Alliance pg 35-37). Despite the critics that his music received from the conservative government h is music stood the test of the time and made a lot of impact to the society. He suffered thrombosis in Paris in 1990 and later died two years later in Buenos Aires.